It also features a Dry/Wet control for parallel compression, and a sidechain input. Featuring a transparent and neutral sound with a tight bottom end, it’s also incredibly simple to use, with an optional auto-release setting and A/B comparison functionality. Use the SOLID BUS COMP with a low ratio (1.5:1 or 2:1) on the master channel for the full mix 'glue' effect. MIX GLUE With the uncanny ability to 'glue' mixes together and make a track sound finished, SOLID BUS COMP is perfect for most use cases, not least handling stereo sum, drum subgroups and single tracks. Native Instruments Vari Comp v1.4.5 U2B Mac MORiA VARI COMP is an all-purpose, easy-to-use, two-channel compressor with breathtakingly transparent sound. Available separately or as a part of the SOLID MIX SERIES bundle, this professional studio effect now runs as a stand-alone plug-in with an updated clean and simple interface, making first-rate results a reality for everyone. Runs as a stand-alone plug-in in any DAW COME TOGETHER SOLID BUS COMP is the powerful compressor for finishing off mixes and adding that unmistakable high-end sound to your track.Powerful, transparent compression for any task.You can grab Vastaus from the Wavegrove Patreon page, with the option to support the developer if you can.ĭownload: Vastaus (3.TEAM R2R 2014.02.18 | 82.95 MB The SOLID BUS COMP is the perfect tool to glue drum groups or entire mixes together - complete with Dry/Wet control and sidechain input. Still, I get the impression the developer is ironing out a few creases, especially with macOS, and will fix them promptly. That issue would obviously prevent proper use at the moment. The downside, which I’m sure will be short-lived, is that I did experience some random popping when used on a Logic Pro instrument channel. Initially, it was ideal in some areas, but not in all Vastaus made it more rounded. I was pleased to find that it worked very well and gave me a more versatile sound.įor example, the polysynth was something I’d use for comping a combination of bass, chords, and lines. I tried Vastaus with a pretty crude polysynth, hoping to soften the harshness a touch without losing all of the bite and attitude. On the right of the GUI, you’ll find Output Gain, Wet (dry/wet mix), and a Bypass switch. The Bias setting allows you to limit the effect to either the positive or negative side of the audio sample, creating interesting harmonics. This mode often provides more natural detail and clarity. When React mode is engaged, Vastaus will let some transients pass while smoothing the sound. Increasing the Tame setting strengthens the taming effect, but again, it’s about finding the right balance.Īnother way to maintain a natural balance or even enhance clarity when pushing the Tame setting is to work with the Bias and React controls. In this state, Vastaus will tame and cut out excessively harsh hi frequencies.Įven before you start to push the settings, you can use Vastaus to tame some vocal esses or smooth instruments like cymbals, guitars, etc.īoosting the Input Gain can be a nice way to bring back some high-end after taming for a more natural sound. Highly usable and full of rich, natural sound, VARI COMP delivers the warmth and presence of top-of-the-line tube-powered hardware. When each of these controls sits at zero (all the way to the left), Vastaus is at its most neutral. The first controls that you will deal with are Input Gain and Tame. The GUI is a nice combination of simplicity and aesthetically pleasing design. It works on instrument channels and buses, as well as the master channel. It’s about smoothing the high-end to get rid of any unwanted harsh frequencies. Vastaus is a plugin that you don’t necessarily want to do too much or be too conspicuous. Both Intel and M1 Macs are now supported. Vastaus is available in AU and VST3 formats for macOS or VST2 and VST3 formats for Windows. Wavegrove releases Vastaus, a freeware high-end fixer plugin for digital audio workstations on macOS and Windows.
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